Artist's
Statement
There are many facets of communication that take place between
the artist and the observer through a work of art. This
dialogue can be subtle, powerful, disturbing, joyous, indignant.
Whatever its level, form or stratum, this communication
remains a vital reflection of our perplexing, transforming
society.
I have long been intrigued by complementary opposites and
dualities, by the dichotomy of the emotional human psyche
in relation to the corporeal world, that is, by our inside/outside,
interior/exterior relationship with our environment, be
it through our interactions with each other, or with our
natural or non-natural surroundings. How do we perceive
ourselves in our material world, and how does this affect
us or transform us emotionally? How are these intangible,
yet substantial emotional experiences expressed? What emotional
responses are determined by the context of time and culture,
and which are universal and timeless? These are the points
and counterpoints of our existence - an interconnectedness
and interaction implying tension, yet balance.
Duality
- the physical in relation to the metaphysical - directs
my work, whether that work is abstract, stylistic or realistic.
At present most of my work is based on the human figure
as this allows me to explore and to express a myriad of
emotions, of feeling through form, line, texture and movement.
Emotional experience, for me, is expressed through the essence
of movement and tactility, and continues to be an important
consideration in my work.
Artist's
Biography
I grew up in New Zealand by the gentle but relentless sea
and near mountains that are breath-taking yet perilous,
learning to admire, enjoy and respect them. These aspects
of nature, as well as the movement of Surrealism, with its
imposition of the extraordinary juxtaposed to the ordinary,
were early influences in my work.
In
my youth, I enjoyed many sports and was a competitive gymnast.
My pleasure in music, dancing and reading has also contributed
to my interest in movement as it relates to art. I first
studied art in New Zealand and Australia. In 1973, I moved
with my husband and young family to Canada, and graduated
from Emily Carr College of Art of Design in Vancouver, British
Columbia, in 1991.
My
many travels have broadened my awareness of the cultural
similarities and differences that endure, yet transform
our human experience. All of these influences have interwoven,
shaping my creative work. As time has gone by, my curiosity
and exploration of dualities has continued to deepen and
find expression in my art.
I
live with my husband in Bragg Creek, British Columbia,
Canada.
